Best Movies nominations Oscar 2015

#OscarsSoWhite, but here are 8 great 2015 performances by black actors

The hashtag #OscarsSoWhite has returned, as no actors of color were nominated for an Academy Award for a second year in a row. (Erin Patrick O'Connor/The Washington Post)

Updated: In a piece about overlooked acting, it’s of course fitting that the first version didn’t include one of my favorite performances of the year. That omission has been corrected. But in my defense, I was writing at lightning speed. The Oscar voters had time to do their jobs right.

The #OscarsSoWhite hashtag created by April Reign was useful again this morning when, for the second year in a row, the Academy of Motion Picture Arts and Sciences released a slate of acting nominees that didn’t include a single actor of color. As the critic Mark Harris pointed out, we haven’t had two years in a row of all-white acting slates since 1997 and 1998. American movies are still overwhelmingly populated by white actors (specifically white men). But at a moment of intense conversation about diversity and mass culture, this set of nominations made the entertainment industry, which likes to pride itself on leading American culture into the future, look decidedly out of step.

It’s absolutely true that Oscar nominations and Oscar wins matter on both an individual and structural level. Winning an Oscar can change an actor’s or director’s career. Among the potential benefits of an Academy Award is that getting a nomination can be a ticket to membership to your branch of the Academy. And because actors nominate actors, and writers nominate writers, etc., changing the composition of each branch of the Academy could help change who gets nominated, and ultimately who wins.

But I also think that at times, the viewing public overvalues Oscar nominations. Just because the Academy has power doesn’t mean that the movies it ignores aren’t good, or even tremendous. If we feel the nominations today are stodgy and bad, one of the best ways to counter them is to celebrate the films we loved best. So to mark the whiteness of this year’s Oscars, here are seven performances by black actors I loved in 2015:

1. Michael B. Jordan, “Creed”: What a wonder Michael B. Jordan is, and how marvelous it is that he and director Ryan Coogler have found each other. I adored the work they did together in “Fruitvale Station, ” and it was wonderful to see them again here. Jordan plays Adonis Johnson, the illegitimate and abandoned son of Apollo Creed (Carl Weathers), the longtime rival and friend of Rocky Balboa (Sylvester Stallone), who is retired and running a little Italian joint in Philadelphia. Jordan brings tremendous physicality and joy; Adonis’s journey to boxing stardom is credible, and Coogler wisely doesn’t strain credibility, letting his character lose the final fight but perform credibly. But even more than that, Jordan excels at bringing out Adonis’s extreme emotional vulnerability and his craving to prove he’s worthy of love.

2. O’Shea Jackson Jr., “Straight Outta Compton”: It’s always challenging for the children of famous people to make their own marks in their parents’ industry. It’s particularly challenging when your acting job is playing your own iconic father. But O’Shea Jackson Jr. more than rose to the challenge in “Straight Outta Compton, ” portraying his father, Ice Cube, alternately as a lyrical prodigy, a resentful member of a supergroup eager to go out on his own and a man who feels himself to be persistently misunderstood. I can’t wait to see what he does next.

3. Abraham Attah, “Beasts of No Nation”: Idris Elba justly got a fair amount of attention for his turn as the Commandant in this film about child soldiers; watching him devolve from God in the eyes of his young troops to an angry, flummoxed, sidelined man in the larger context of a war was terrific. But I hope folks also recognize the young Attah, who anchors the movie as Agu, one of the children who falls under the Commandant’s sway. If Jacob Tremblay did great work in “Room” as a child who was open and joyful despite circumstances that should have made him anything but, as Agu, Attah had to play a child withdrawing from childishness much faster than was natural or fair. They’re nice counterparts to each other.

4. Jada Pinkett Smith, “Magic Mike XXL”: I would pay an exceedingly large amount of money for a movie about Rome, the proprietress of a fabulously-appointed Southern house of pleasure that caters to black women; former lover of the titular Mike (Channing Tatum); and also former lover of Paris (Elizabeth Banks), strip competition emcee extraordinaire. It was delicious to watch Smith get to embody the sort of steely sexual swagger normally reserved for men. Rome is a swashbuckler, and there should be many more women like her on film.

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